All rights reserved. 0000132831 00000 n hb```b``9sAc[XgzIw6DeaXP!jU"3g2Fss4>y~e+sKCLV$*>3-Gy5bw/k U5 Sarah Jacobs sarahjacobs@ucsb.edu Office: ED 3232. Natalie Holdren His publications include several articles in journals and a book on 20th century music theory. Reflecting that emphasis, she is one of the principal developers of the Regional Hydro-Ecologic Simulation System (RHESSys), an integrated model of spatially distributed carbon, water, and nitrogen cycling. A Zoran, SO Valjakka, B Chan, A Brosh, R Gordon, Y Friedman, J Jacobs, D Mellis, A Zoran, C Torres, J Brandt, TJ Tanenbaum, Proceedings of the 2016 ACM Conference Companion Publication on Designing, Proceedings of the 2018 CHI Conference on Human Factors in Computing Systems, Proceedings of the 2017 CHI Conference on Human Factors in Computing Systems, G Benabdallah, S Bourgault, N Peek, J Jacobs, Proceedings of the 2021 CHI Conference on Human Factors in Computing Systems, Proceedings of the 1st Annual ACM Symposium on Computational Fabrication, 1-2, Proceedings of the 33rd Annual ACM Symposium on User Interface Software and, Proceedings of Constructionism 2014 Conference. He was appointed Director of Pedagogy at Les Ateliers UPIC (later CCMIX) and Lecturer in the Music Department of the Universit Paris 8. Professor Media Arts and Technology/Expressive Computation Lab, University of California Santa Barbara, United States, Jennifer Mary Jacobs. He attended Purdue University from 1992 - 1996, where he graduated with a B.S. In Proceedings of the ACM SIGCHI Conference on Human Factors in Computing Systems, Denver, Colorado, USA, April 2017. Assistant Professor In the mid 90s, his contribution to Inteational architectural discourse was further expanded by the coining and definition of the term "Transarchitectures" His approach: "we conceive algorithmically (morphogenesis); we model numerically (rapid prototyping); we build robotically (new tectonics); we inhabit interactively (intelligent space); we telecommunicate instantly (pantopicon); we are informed immersively (liquid architectures); we socialise nonlocally (nonlocal public domain); we evert virtuality (transarchitectures)". His 2005 CD/DVD album POINT LINE CLOUD was re-issued by Presto!? Jennifer Jacobs. Her research has been presented at international venues including SIGGRAPH, DIS, CACM, Ars Electronica and CHI, where her research has received multiple best paper awards. 0000054815 00000 n Dr. Sen has been awarded more than $2.2 million in research funding, including an NSF CAREER award in 2009. 0000007219 00000 n Technical Director, AlloSphere Research Facility. ::dRUbN8(KAfjp-ip,.>J@ ,(KZT* ]/ 5CPb ti( 1NpqA PPw Ef} -F`Ivp5L1D0D1dLd7& 0000008107 00000 n Jennifer Jacobs, USA, is Assistant Professor at University of California, Santa Barbara, in Media Arts and Technology, and director of the Expressive Computation Lab. Hybrid Practice in the Kalahari: Design Collaboration through Digital Tools and Hunter-Gatherer Craft. Elliot W. Hawkes is an Assistant Professor of Mechanical Engineering at UCSB. Pollock T.M, Clarke A.J, Babu S.S . 1306 0 obj <> endobj xref The new release (2021) includes support for Open Sound Control. Assistant Professor of Media Arts and Technology. Center for Black Studies Research 4603 South Hall University of California Santa Barbara, CA 93106-3140 T 805.893.3914 F 805.893.7243 E cbsr-assistant@ucsb.edu. Professor 0000003695 00000 n His doctoral research examined the culture and technology of glassmaking in Renaissance Venice. In 2013-2016, he collaborated with programmer Sekhar Ramakrishnan to design SpatialChords, a front-end to Ramakrishnans Zirkonium spatializer program, based on a theory of "spatial chords" or geometric forms in three-dimensional sound space. Alenda Chang joined the UCSB faculty in 2015, following two years as a digital humanities and environmental literature professor at the University of Connecticut (Ph.D. His research includes haptic engineering and perception, robotics, human-computer interaction, analog, digital, and spatial sound, motivated by emerging opportunities in human-computer interaction, sensorimotor augmentation of the human body, soft robotics, and interaction in virtual reality. Tim Dewar 0000004690 00000 n Her years of experience in digital media research led to the creation of a multi-million dollar sponsored research program for the University of California, the Digital Media Innovation Program. The Allosphere, a unique instrument for interactive real-time scientific visualization, has been used in scientific collaborations across scales from the atomic, through the nano to the biological. We develop domain-specific programming languages that allow practitioners to extend and modify software tools as they create. He studied electronic music and computer music composition at California Institute of the Arts (CalArts) and the University of California, San Diego (UCSD) and received a Doctorate from the Universit Paris 8. Connect. Prior to joining UCSB, Jennifer received her Ph.D. from the Massachusetts Institute of Technology and was a Postdoctoral Fellow at the Brown Institute of Media Innovation within the Department of Computer Science at Stanford University. The University of Georgia, +2 more Jennifer Jacobs Social Worker at Sir Moses Montefiore Jewish Home Greater Sydney Area. Work His textbook The Computer Music Tutorial (1996, The MIT Press) is widely adopted as a standard classroom text and has been published in French (1999, third edition 2016), Japanese (2001), and Chinese (2011). Office: ED 3228, Multiple-Subject (MST, Elementary) He undertook speech recognition research at Vocal Point Inc., now part of Nuance (makers of Siri), and sonar R&D at ARL Austin. Proceedings of the ACM SIGCHI Conference on Human Factors in Computing Systems, Paris, France, April 2013. I am strangely not a huge fan of capers. Distinguished Professor, MAT Diversity Officer. Trained in computer science, design, and fine art, Jacobs received her Ph.D. from the Massachusetts Institute of Technology's Media Lab and completed her postdoctoral research in the Computer Science Department at Stanford University. Sarah Jacobs Expressive Computation Lab. Jacobs received a BA in English Language and Literature from Iowa State University in 1993. Professor Jacobs has authored numerous journal papers and chapters on a wide range of topics dealing with vision and the visual system. brennan boesch career earnings cameron boyce funeral cameron boyce funeral A new revised edition of The Computer Music Tutorial (MIT Press) is scheduled for publication in Spring 2023. Monica Scafide 0000003926 00000 n Sarah Rosalena Brady is Assistant Professor of Art at UC Santa Barbara in Computational Craft and Haptic Media. BY Bill Faries, Jennifer Jacobs, and others August 31, 2022 Politics Biden says the U.S. will send an additional $1.3 billion in military and economic aid to Ukraine Our goal is to create human-machine systems that extend the body and the mind, leaving us free to learn, to create, to think and to feel (Clynes and Kline. He then attended Stanford University where he received his M.S. and B.F.A from Hunter College and the University of Oregon respectively. ECL's objective is to foster the development of expressive computational tools for art, design, and engineering. We envision a future for computational production where software and hardware tools are truly shaped by the people who use them. 3. Born in 1945, Clarence Barlow obtained a science degree at Calcutta University in 1965 and a concert pianist diploma from Trinity College of Music London the same year. Her first book, Dr. Jacobs is a faculty member at UC Santa Barbara in Media Arts and Technology and Computer Science (by courtesy). Bekijk profielen van professionals die 'Jennifer Jacobs' heten op LinkedIn. Elliot Hawkess research focuses on bringing together design, mechanics, and non-traditional materials to advance the vision of robust, adaptable, human-safe robots that canthrive in the uncertain, unstructured world. Marcos Novak is a pioneer in the field of virtual architecture. Connect. Jennifer Jacobs, Assistant Professor Media Arts Technology Program Gregory Johnson, Professor Religious Studies Georgios Koutroulakis, Lecturer PSOE Physics . Undergraduate Diversity Officer. 0000007933 00000 n She serves as Director and Chief Scientist of the AlloSphere Research Facility. She also received an M.F.A. Phone: (805) 893-2968. Department of Germanic and Slavic Studies. H thng khng th thc hin thao tc ngay by gi. Since then, Jennifer had been continuing to work on her "JMETHOD" brand, as well as teaching classes through "Ladder Teams" platform . His musical and multimedia work has included diverse collaborations and media with an emphasis on interactivity and user involvement. 0000005031 00000 n Jacobs works across the fields of computational art and design, human-computer interaction, and systems engineering. Based on funding mandates. As AI decouples intelligence from consciousness, as XR technologies transform perception, and as matter becomes machine manipulable, three key questions about the future arise: 1) what will newer AI-infused experiential interfaces look like where digital bits occupy space and algorithms have faces, 2) what can we learn about human behavior through human-AI interaction and how can AI models learn from human behavior, and 3) how will a shift from data-centric to human-centric AI systems augment our capabilities and enrich our lives? 7L\:v~7Yma{f-]"+P n]eph&dk@KAn+l94#sPkJ\Weje*KP Wl". Jennifer Jacobs and Leah Buechley Codeable Objects: Computational Design and Digital Fabrication for Novice Programmers. UC Santa Barbara Jennifer Jacobs Login to UC Santa Barbara. And we surely wouldn't want to. His composition Clang-tint (1994) was commissioned by the Japanese Ministry of Culture (Bunka-cho) and the Kunitachi College of Music, Tokyo. Her work is discussed in numerous books, for example, in "Internet Art" by Rachel Greene and "Digital Art" by Christiane Paul (Thames and Hudson). 0000057383 00000 n Jennifer Jacobs, Sumit Gogia, Radomir Mech, and Joel Brandt. RE Touch Lab - Director and Principal Investigator. Department of Art He was visiting faculty at UCLA, Nova Scotia College of Art & Design, and the National Academy of Fine Arts, Budapest, Hungary. 0000003066 00000 n BibTeX. Current projects involve bio-inspired microstructured adhesive materials, non-linear compliant mechanisms, high-power soft actuators,soft exoskeletons, and growing robots. A state-of-the-art research and teaching facility. She is the founder of Uproot, UCSB's first BIPOC art coalition. He received the Masters of Architecture at Ohio State university in 1983. Matthew Turk is current President of the Toyota Technological Institute at Chicago, an independent philanthropically endowed graduate research institute that focuses on computer science theory and artificial intelligence. 1,650 posts. Computers are increasingly displacing many manual practices in favor of procedural, generative, and automated production. Karin Lohwasser The experiments, projects and courses we do and offer contribute to the arts-engineering / scientific community in the following way: 1) Explore new forms of visualizations through implementation of advanced knowledge of visual language, image syntax and semiotics 2) Rapid testing of concepts through visual/spatial/interactive means 3) Address image-based research that are on the fringe of engineering / science research for artistic exploration. jennifer jacobs ucsbhow to check how many warnings you have on roblox. MAT provides a great opportunity to explore this domain". 4312 Bren Hall, UC Santa Barbara . Specialization: Data visualization, computation & photography, interactive media art installation, mobile robotic multi-camera imaging. loh2o@ucsb.edu natalie.holdren@ucsb.edu Media Arts and Technology. Assistant Professor of Media Arts and Technology, Proceedings of the SIGCHI Conference on Human Factors in Computing Systems. His interests are the algorithmic composition of instrumental, electronic and computer music, music software development as well as interdisciplinary activities, e.g. (805) 893-2084 Assistant Professor (Computational Craft and Haptic Media) TikTok; Twitter; Instagram; LinkedIn; Each department, from Product Development to Customer Care, devotes their exceptional talent and skills to ensure the highest standards are met. In 1988 he was Director of Music of the XIVth International Computer Music Conference, held that year in Cologne. Vienna, Austria 10, J Li, J Brandt, R Mech, M Agrawala, J Jacobs, Proceedings of the 2020 CHI Conference on Human Factors in Computing Systems, O Fried, J Jacobs, A Finkelstein, M Agrawala, Extended Abstracts of the 2018 CHI Conference on Human Factors in Computing, N Peek, J Jacobs, W Ju, N Gershenfeld, T Igoe, Extended Abstracts of the 2021 CHI Conference on Human Factors in Computing, Proceedings of the 27th ACM Symposium on Virtual Reality Software and, Bi vit mi lin quan n nghin cu ca tc gi ny, Codeable objects: computational design and digital fabrication for novice programmers. His research and teaching focuses on the visual digital humanities, with a special interest in the epistemology and aesthetics of computer vision and machine learning. University of California, Santa Barbara. His work has received press fromoutlets such as the NY Times, BBC, Cell, Science, and the Late Show with Stephen Colbert. University of California, Santa Barbara. safeguard properties lawsuit 2017; syl johnson chad ochocinco father Providing UC Santa Barbara alumni a place to network and connect with fellow Gauchos; mentor and recruit students and young alumni; advocate for the UC system on a local, state or federal level; and much more. Jennifer's research is situated within the context of teacher education. Art, Electronic Theater or Performance Jury. Opportunities for PhDs to work on world-class computer science research with faculty members. h1 04u\c=t4miC. His music is available on compact discs produced by the MIT Media Laboratory, Wergo, OR, Mode, and Asphodel. hb```b``b`a``cad@ A6 daxP`Bca4 R@9Tjx5n$_L]r0:G\KE. Julie Estabrook Her research has been presented at leading human-computer interaction research venues and journals including UIST, DIS, SIGGRAPH, and, most prominently, at the flagship ACM Conference on Human Factors in Computing Systems (CHI), where she received two best paper awards and one best paper honorable mention award in the past four years. and B.F.A from Hunter College and the University of Oregon respectively. Her research has been presented at international venues including SIGGRAPH, DIS, CACM, Ars Electronica and CHI, where her research has received multiple best paper awards. 0000000016 00000 n trailer <]/Prev 263262/XRefStm 1180>> startxref 0 %%EOF 754 0 obj <>stream He is especially interested in the motives and ways these communities collaborated with one another, how Cold-War derived technologies such as lasers and digital computers were enlisted for artistic purposes, and the presence of Cold War themes such as nuclear war, cybernetics, and the Space Race in art from the 1950s, 60s, and 70s. Her research has been presented at international venues including SIGGRAPH, DIS, CACM, Ars Electronica and CHI, where her research has received multiple best paper awards. When he arrived at UCSB, McCray became more interested in the history of nanotechnology and how it intersected with his prior research on the history of materials. Metallurgical and Materials Transactions A: Physical Metallurgy and Materials Science. Office: ED 3243, Mathematics Media Arts and Technology, University of California Santa Barbara, United States, Andrs Monroy-Hernndez. Department of Computer Science. from Smith College. Ken Fields received a doctorate in Media Arts from the University of California at Santa Barbara. Department of Art. Professor Any unlawful redistribution or reproduction of artwork featured on this site without prior express written authorization of the copyright owner is strictly prohibited. and Ph.D. degrees in Computer Science from the University of California, San Diego (UCSD). Dr. Visell spent more than five years in sound, signal processing, and interactive technology research at leading technology companies. She works across the fields of computational art and design, human computer interaction, and systems engineering. Her research and teaching encompass environmental media, the history and theory of electronic media, game studies, science and technology studies, and sound studies. His book Composing Electronic Music: A New Aesthetic (Oxford University Press) appeared in 2015. During 2002-2007 he was a member of the Board of Directors of the Electronic Literature Organization (ELO) and chair of the Technology/Software Committee of the ELOs PAD Initiative (Preservation / Archiving / Dissemination of Electronic Literature). Office: ED 2218, English-Language Arts University of California, Santa Barbara. All rights reserved. GH Jacobs, JA Fenwick, GA Williams. Researchers. Since 2015, he has hosted The Unknown Territories, a weekly radio broadcast about contemporary science and experimental music. Since that time he has taught at Ohio State, University of Texas Austin, the Architecture program at UCLA, the Digital Media program at UCLA, and the Art Center College of Design, in Pasadena. U.S. News & World Report - UCSB No. RHESSys is designed to provide science-based information about spatial patterns of ecosystem health and vulnerability in terms of water quantity and quality. Office: ED 3206, World Language (Spanish) He taught electronic music composition at Harvard University and sound synthesis techniques at the University of Naples Federico II. dyoung@ucsb.edu, Jennifer Scalzo jscalzo@ucsb.edu 2020. At UCSB he functions as professor at MAT, the Music Department (as Corwin Endowed Chair and Head of Composition) and the College of Creative Studies. He is also the director of the MAT Systemics Lab, located in Elings Hall. Research Assistant, MIT Media Lab Cambridge, Massachusetts, 2011-2017 Assistant Professor, Media Arts and Technology and Computer Science (by courtesy), The Expressive Computation Lab's objective is to foster the development of expressive computational tools for art, design, and engineering. All artwork and text on this site are the exclusive copyrighted works ofthe artist or author. University of California, Santa Barbara A fully updated and accurate Bio-Bib is exceptionally important because this is the official record . estabrook@ucsb.edu S lng "Trch dn bi" bao gm trch dn trong cc bi vit sau y trong Scholar. Her current music research is focusing on a general purpose interface for control of digital information through natural performance gesture. CREATE released the real-time granulation app EmissionControl2 for MacOS, Windows, and Linux in 2020. Jennifer Jacobs is Assistant Professor at the University of California Santa Barbara in Media Arts and Technology and Computer Science (by courtesy). UC Santa Barbara Alumni. Candidates should have a solid technical background and a strong interest in art, design, or manufacturing applications of computation. Single-Subject (SST, Secondary) Content Supervisors: English-Language Arts . From 2014-2015, she was a Robert Wood Johnson Foundation wellbeing research fellow at the Media Lab. He holds joint appointments with the Department of Art and the Media Arts & Technology graduate program at the University of California Santa Barbara, and was appointed as Co-Director of the Univerisy of California system-wide Institute for Research in the Arts in 2009, where he is coordinating the art/science Integrative methodologies initiative. UC Santa Barbara. Jennifer Jacobs researches ways to support expressive computer-aided design, art, and manufacturing by developing new computational tools, languages, and systems that integrate emerging forms of computational creation and digital fabrication with traditional materials, manual control, and non-linear design practices. Recently published from Univ. His first book, Wordsworth: The Sense of History (Stanford Univ. Department of History, 3251 Humanities and Social Sciences Building, www.history.ucsb.edu/faculty/w-patrick-mccray. Department of Music. amber.moran@ucsb.edu From 2009 on he is the one of the series editors of the Arctic Perspective Cahiers series (Hatje Cantz and API). tdewar@ucsb.edu Office: ED 3234, Education Specialist Mild/Moderate Support Needs (ESC, Special Ed) Science 220 (4598), 737-739, 1983. Prior academic appointments were held at the Merz Akademie University of Visualization, Stuttgart, Germany (1996-2000); San Francisco State University (1989-2007); University of Southern California (1984-1988); California Institute of the Arts (1982-1984); and the University of Western Ontario (1978-1981). College of Engineering - UC Santa Barbara. Cc bi vit sau y c hp nht trong Scholar. Jennifer Jacobs and Amit Zoran Hybrid Practice in the Kalahari: Design Collaboration Through Digital Tools and Hunter Gatherer Craft. Copyright 2023 The Regents of the University of California, All Rights Reserved. Jacobs received her Ph.D. from the Massachusetts Institute of Technologys Media Lab and completed her postdoctoral research in the Computer Science Department at Stanford University. The EC2 project was realized by a team consisting of Roads as project manager, with software developers Jack Kilgore and Rodney Duplessis. Professor Tague is currently modeling the impacts of climate change on stream-flow patterns in the western United States and examining how urbanization alters drainage patterns and associated biogeochemical cycling in watersheds in Baltimore, Maryland, and Southern California. Jennifer Scalzo jscalzo@ucsb.edu Office: ED 3224. And if you know of other websites that may be useful to your colleagues, and should perhaps be added . He was the lead DSP developer for Ableton Live, authoring an array of sound processing algorithms that are now used in music production across the globe. Fax: (805) 893-8736 Regents of the University of California. Hours:M-F, 8-4, Schedule virtual office hours with Samantha, Education Specialist Extensive Support Needs (ESC, Special Ed) MFA San Francisco Art Institute. 1306 28 0000005189 00000 n Office: ED 2218, History-Social Science His research interests include algorithms for image synthesis, computational image processing, and computational photography, and he is a co-author of over 30 technical publications, including seven SIGGRAPH/SIGGRAPH Asia publications. %PDF-1.4 % Login with your UCSB net ID to manage your events. Although computational tools and computer programs are used more now than ever it can be difficult to fully integrate technology into art and design because of how different each artist is. 0000001555 00000 n 51:6000-6019. She was recently given the Creative Capital Award, the LACMA Art + Tech Lab Grant, the Steve Wilson Award from Leonardo, the International Society for Art, Sciences, and Technology, Carolyn Glasoe Bailey Foundation Art Prize, and the Craft Futures Grant from Center for Craft. Santa Barbara CA 93106-9490, 2022 The Regents of the University of California, All rights reserved.Terms of Use Accessibility Non-Discrimination Policy Title IX Feedback Land Acknowledgement, Department of Counseling, Clinical, & School Psychology, Center for School-Based Youth Development, Social Tools and Rules for Teens/Transitions (START) Programs, Parent-Child Interaction Therapy (PCIT) Clinic, The Gevirtz School (GGSE) - UC Santa Barbara, Hosford Counseling & Psychological Services Clinic, CA Teacher Education Research & Improvement Network, International Center for School-Based Youth Development, Dean's Lecture Series on Education, Diversity & Democracy, Harding University Partnership School Community Resource Center, From Ocean & El Colegio Newsletter Archive. ,01nXu`LzG3:0e`\qS9Ol*+20r2d01!X~>'@ 4cc endstream endobj 1332 0 obj <>/Filter/FlateDecode/Index[77 1229]/Length 53/Size 1306/Type/XRef/W[1 1 1]>>stream Public figure. In the course of our research, we explore new methods to integrate iterative systems engineering with professional creative practices. Peljhan has also been the flight director of ten parabolic experimental flights in collaboration with the Microgravity Interdisciplinary Research initiative and the Yuri Gagarin Cosmonaut Training Centre, creating conditions for artists to work in alternating gravity conditions. University of California, Santa Barbara. 0000055655 00000 n He has been working on the Makrolab, a project that focuses on telecommunications, migrations and weather systems research in an intersection of art and science from 1997-2007, the Interpolar Transnational Art Science Constellation during the International Polar Year (project 417) and is currently coordinating the Arctic Perspective Initiative art/science/tactical media project focused on the global significance of the Arctic geopolitical, natural and cultural spheres together with Matthew Biederman. MFA Computers in Fine Arts, CADRE, San Jose State University. Dr. Visell's directs the RE Touch Lab, leading fundamental and applied research on the future of interactive technologies. The visualization is scheduled for operation until 2019, with approximately 30000 items checked-out per day resulting at this time, in a collection of over 90 million datasets. Trained in computer science, design, and fine art, Jacobs received her Ph.D. Her research examines ways to diversify participation and practice in computer programming by building computational tools for art, design, digital fabrication, and craft. ALL RIGHTS RESERVED. degree at University of Vermont and a Ph. between music and language, and the visual, and would welcome collaboration with MAT students in any of these fields. Christina Tague's research is focused on the interactions between hydrology and ecosystem processes and, specifically, how eco-hydrologic systems are altered by changes in land use and climate. His commission for the Seattle Public Library, "Making Visible the Invisible", begun in 2005 is a permanent installation consisting of algorithms that statistically analyze the flow of books and other media that are checked-out daily from the library to map out how library culture is changing over time. 0000007962 00000 n Previously, heworked at the Harvard Microrobotics Lab and the ETH Multi-scale Robotics Lab. We're sorry but personalwebsite doesn't work properly without JavaScript enabled. David Young Biography. At UCSB, she directs the Expressive Computation Lab, which . Much of her work involves developing and using spatial simulation models to integrate data from multiple field-based monitoring studies in order to generalize results to larger watersheds. My favorite food: TACOS! ECL is seeking PhD students in MAT or CS for the 2020-2021 academic year. %PDF-1.4 % Jennifer Jacobs, Joel Brandt, Radomir Mech, and Mitchel Resnick. He is the creator of Artsmesh, a macOS application for live networked music performance. He has also posited a new "Soft Babylon," a theoretical stance which posits that our digitized architectural palette is causing us to create a wired Situationist city, while we struggle with some of the massive paradigm shifts that our era will and must face. Phone: (813) 974-7522. Professor of Computer Science. Legrady's artistic works have been supported by awards from the Creative Capital Foundation, the Daniel Langlois Foundation for the Arts, Science and Technology, the Canada Council for the Arts, the National Endowment for the Arts, and a John Simon Guggenheim Fellowship in Visual Arts in 2016. Email: alumni@alumni.ucsb.edu (805) 893-2957 tel (805) 893-4918 fax. Department of English. Job 1, Jennifer Jacobs' debut program with The Beachbody Company, invites you to give your health the same commitment you would any other job for real fitness results in just four weeks.
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